Archive for Sacred Geometry

Ascension through Sacred Geometry

Presented courtesy Spirit of Maat

Thomas Morton was recognized as one of the world’s leaders in the understanding and application of Sacred Geometry. Here, he talks of how, through utilizing sacred geometry, we can create a vortex of energy that acts as our own inner temple. Upon entering that sacred space in meditation, we can access the deep silence, becoming empowered to recognize lower thought forms and ascend in consciousness and being.

From there, he teaches, we become alchemists, transmuting intent into physical manifestation.

Julia: Just to begin, could you explain for our readers the importance of Sacred Geometry?

Thomas: Most of us who have an interest in Sacred Geometry have a burning desire to understand Creation — to know how everything comes into existence. When we have the desire to understand these things, the path takes us to higher vibrations and frequencies, colors and sounds, as both are one and the same, being but different expression of Energy.

In studying the Sacred Geometry of Creation, we first understand that creation takes place in what is known as “no time and space,” and that it then enters into dimensionality through the intra-dimensional doorway known as the Golden Mean Spiral.

Why do we utilize Sacred Geometry? The purest answer is because it creates for us the frequencies of a controlled place of deep silence, the place of The Silent Watcher, that has no beginning or end. The Golden Mean is the doorway to this place known as “no time and space,” where we can interact with Creation. It is the sacred doorway to the intuitive, the space to where we once again are God in action.

This sacred space is also an environment of a frequency of great understanding within the universal All That Is. En masse, we are creating a tremendous amount of discordant energy on the planet, and in order to again become the Master Presence that we are, we need to cease participating in the thoughts and feelings that give rise to discord. The closer we become to the Creator, the further we move from the analytical mind, and the more we awaken the intuitive mind.

This is our destination: to unlearn, as the Tibetans state it. To once more allow the intuitive to be the directing force, and allow the outer, or analytical, mind to take a step back into its divine plan of carrying out the intuitive.

So the student uses Sacred Geometry to bring in a controlled space for the purpose of entering into the Great Silence, where we then have a choice of which thoughts and feelings we will participate with. The focus and discipline of Sacred Geometry sustains the silent mind. We go into that space in order to send discordant thoughts and feelings into the Light.

Julia: Could you compare the sacred space within a physical temple to the one we create within? How does the sacred space in the physical temple come into being?

Thomas: If we take it as given that there is energy acting within the pyramids and temples, then we might first want to look to the cause of that energy. Every effect has to have a cause, so where does the energy come from?

The greatest source of energy on the earth is electromagnetic energy, energies of outer Creation that actually surround the planet and reside in what is known as the magnetosphere. In essence, the planet is a giant gyro. A solid core that spins faster than the outer shell creates this electromagnetic energy.

It’s important to understand that this energy has the acting energy of the electron, or the intelligent part of the atomic structure.

Seeing this, we can now see that the temples are like antenna to this magnetosphere. They call in a vortex of magnetic energy.

When the electromagnetic energy vortex enters the temple, the electron is split away from the magnetic wave and both are utilized to create three harmonics within the temple itself, and there are in turn three chambers in the Great Pyramid that express these three different frequencies.

The King’s Chamber represents the spiritual, and has the quality of Silence, the place of everything that was, is, and will be.

The Queen’s Chamber is the mental chamber, where for example you could write an equation one mile long and recall it all.

Finally, the catacombs, or the place of the dead, is the place of alchemy, bringing energy into the physical plane or the third dimension. New plant and animal life, for example, could be created here without disharmony, through this great alchemy of love.

So the Great Pyramid represents these three frequencies of energy and the harmonic creation of new forms of life.

Zero point — the controlled space I talked of earlier — is always present in the Great Pyramid. And we also utilize this controlled space in many of the other temples, like Macchu Pichu, that were erected as ascension schools.

The alchemy of creating new forms of life in the ascension temples took place at the time of the solstice, because at the exact moment when the energy switches either from the longest or the shortest day, there is a Zero Point where it was possible to bring these new forms onto the planet harmony with the All That Is.

Likewise, there are three energies or frequencies that are used for creation: Force, Thought (knowing), and Love. In the third dimension, these three aspects of creation are usually experienced as the experience of physicality, mind, and Love. These are the energies that actually surround us in the seen and unseen.

Julia: What about emotional energy?

Thomas: Emotional energy is not noted here because that is simply a combination of feelings and thoughts.

So we can see the representation of Being One with the Universal Creation or All That Is.

But the most important message is that we have a temple within each one of us. All of the great masters have told us of this temple. It is the Temple of the Heart.

All of the great outer ceremonies are simply representational of what we can do and become within. Ascended Master Jesus the Christ said of the miracles he had performed, “All this ye can do, and more.” The true work for each of us is within our own temple.

Julia: How do we create sacred space? How do we apply this in our lives?

Thomas: Sacred space was created before the temples. It is a state of creation itself. We can create sacred space in our own temple. If we pray or meditate in one place regularly, we then create a vortex. By vortex, I mean “spinning energy,” whether it is positive or negative. The personal vortex is also a Golden Mean spiral. The spinning of the chakras creates a doorway into no-time and space. If we can create the doorway, then we have access to the Great Silence.

So we utilize Sacred Geometry to create a sacred space from which to ascend to the point of being Love in Action, in the Now. We can express this ascended God presence in the third dimension by applying or being in the Great Silence. We cannot be generating discord and applying Love divine at the same time. We have to be able to sustain the Love in the Now, and extend it out into the dense world of Creation. The same doorway of the Golden Mean is used in this respect also. We become God in Action.

Julia: What tools do we gain within this sacred space for living in the dense or physical world?

Thomas: The ego, or analytical mind, has been taught that it is in charge, and this teaching must be unlearned. Being in the sacred space teaches us to move beyond the analytical mind and into the intuitive mind. We can encounter the intuitive mind only in sacred space, and from there we can learn to identify the analytical mind.

The analytical mind co-creates doubt, fear, and resistance, as well as the patterns that we play through our mind when we are operating out of habituated behavior, on automatic pilot.

Of course, the analytical mind resists entering this sacred space. We have to realize that we will have doubts and fears about the “inner knowing” or truth that we encounter in sacred space. We have to have the faith and courage to stay with the inner knowing, even when we don’t see proof of what we experienced and felt.

We will still feel doubt and fear, but once we realize that they come from the lower mind, the analytical mind can know that these instead of participating with these thoughts and feelings, we need to transmute them.

The Akashic Records say that the lower, or carnal, mind sprang forth at a certain point in time. This tells us that it is finite, for only finite things have a beginning. Infinity has no beginning. But finite things also have an end. As well as having a beginning point, the finite mind also has an end point. For this reason, it is much more afraid of us, who are conquering it, than we are afraid of it.

And until the lower mind reaches its end point, it will continue to create as much chaos as possible, for that is how it sustains itself. It gets its energy by stealing ours.

When we generate lower thought and feeling, it goes to the lower collective. This is why we must watch carefully within our minds, standing guard not to participate with doubt. For example, the lower mind will definitely seed doubt about what I’m saying here, for it does not want to be found out. It constantly puts our focus on outer things and illusions.

As a result, we need to actually crave discipline. No matter how much resistance we have to meditating each day or being in the sacred space, we need to apply discipline to every aspect of our lives, including eating and breathing. And we need most of all to stand guard on our consciousness.

So we have to have a plan for meditation, a plan for the expression of the true self.

Julia: How is alchemy used in the sacred space? How can we use this practice in creation?

Thomas: Let’s say that we realize the need to meditate and create a sacred space or altar for meditation.

So we do this. And after we accomplish meditation in this place, we have actually changed the energy of that place. We can walk by it and allow ourselves to feel that the energy really has changed.

This is alchemy, the actual change in a physical space caused by spiritual intent.

Alchemy in the mental realms occurs when we seek the silence and transmute our thoughts. So we begin with sacred space and enter into the inner calmness. We then go to work standing guard, transmuting thought and feeing until we reach the Great Silence. And once, through inner work, we have remembered how to reach the Great Silence, we begin to apply this discipline in the Now — in every moment of every day.

When we start to go into deep silence, there will be a feeling of resistance. If we realize that this feeling is a temptation to procrastinate, then we know that this feeling needs to be transmuted.

So, for example, we may remember that we need to make a phone call or feed the dog or balance the checkbook. So we then realize that, of course, all of these things must be done. But right now we are learning not to participate in these thoughts. We are realizing that these thoughts and feelings, which have misled us for so long, are attempting to take us out of the Now. So we stop going along with them.

The best permanent solution I have ever experienced is to be in the great alchemy of lifting up and transmuting these energies, as they seek to intrude, back to their perfect form and color.

So, to sum it up: When we go into this place of silence, the outer/lower mind tries to intrude. But we can identify the thoughtforms of the outer mind and learn to “tag” them when their energy intrudes.

And once we have identified them, we can stop them. For example, we can ask God to take the thoughtform and send it up to the Light. If we do this long enough, this transmutation process will actually become an auto-response to the thought patterns of the outer mind.

If the thoughts are stopped, we can go into a place of true silence. The Light is silent. Peace is silent. We have to move into the silence Now. For there is no other time but Now. We can only be in the silence if we are in the Now. If we are not in the Now, we are out of the silence.

The lower mind is not in charge. It just wants to be. But the analytical mind was actually created for the purpose of carrying out, in physical reality, the commands of the intuitive God Center within each one of us. If we recognize the thought forms and feelings of the lower mind, we have free will and choice. If we don’t recognize them, then we have no choice.

This Now, which is within the heart, is the sacred space of the temple within. This is the place at which we can reach Zero Point and create. We can actually command thought through our feeling center and qualify the particles to act. This is the alchemical act of precipitation. From this point, there is no question as to what we are, what we are becoming. We have willed it; it is as certain as knowing who is coming to dinner because we have invited them to dinner. When we create something at this level, we simply expect it to show up in the manifestation plane.

This is important. Expecting what we create to show up is energy brought into manifestation. It is like looking at the thunderclouds and knowing that it will rain. There is no question.

The laws of Alchemy say to “become the accomplished desire,” to feel it, to be it. When we become the accomplished desire, and do not participate with doubt and sustain the application, we precipitate the desire.

When we command the desire through being centered, we literally command the particles that compose matter to act. This is alchemy — the transmutation of thought into the material plane.

We will be tempted to believe, through the action of doubt, that the accomplished desire will not show up or manifest — that the process didn’t work. But the truth is always that if we don’t participate with doubt, fear, or worry, we will experience what we are intending to manifest. There is a delay or response time — it could be seconds, minutes, or days, depending on the amount of knowing that was applied to the manifestation and our level of previous attainment — but it must happen.

The more you apply these universal laws, the quicker things come into manifestation. But we never wait for the manifestation, for this would mean it has not yet happened. No matter what we may think, God within has acted, and it is up to us to hold this knowing.

In this space/time between universal and manifest — before the precipitation — it is important to transmute all permutations of the lower mind, and this means any feelings or thoughts that relate to doubt, fear, or worry.

All lower things, when raised, pass through the violet flame. These thoughts can be eliminated by sending them through the violet flame, transmuting them, and staying in the place with the accomplished desire. The accomplished desire will then manifest.

This is alchemy. It is how it can be used to manifest the Creation in the sacred space in the temple. We are all temples with sacred space. We can all transmute our feelings and create our desires through this application of alchemy.

We can move dimensionally into ascension through this same application. This is the greatest alchemy of all, to ascend. We do not need workshops, or teachers, or temples any more. We need only to remember what we have always known. We enter into this knowing in The Great Silence.

Julia: Do you have any thoughts in closing?

Thomas: Anyone can create and sustain sacred space. We are all equal. You can remember to transmute the outer or lower mind that will seek to intrude. Whatever you need is here through the application of these Universal Laws.

These things of God are here for our use. You must learn to become disciplined to apply them. Our desires will change from wanting what we want to wanting what we need. We will be again in the dance of life.

We are all here to serve. If you know it, that’s great. If you do it, that’s even better.

For some of us, the ascension process makes us want to run away. For others, we ask what we can do to be of service.

If you are a priest or priestess — someone who understands the Light and Silence — then hold this Love Light of Truth in service so that it is available for those that are moving into this consciousness.

Thomas Morton awakened spiritually at an early age and has been in service ever since. His life has been focused on healing the planet’s energies. To that end he works with both beginners and advanced lightworkers, and travels the world, speaking to groups and working directly with the Earth’s grid.

Sacred Geometry: Designs for the Soul

Interview with Rowena Kryder, reprinted Courtesy Spirit of Maat


Julia: How were you introduced to Sacred Geometry?

Rowena: I was never really introduced; it arose from within. The meanings of the twelve energy patterns, as well as other patterns, are really just an observation of what goes on in nature and design.

This doesn’t mean I’m not grateful for teachers. But I have learned most of it on my own.

Julia: Where should one start with understanding the patterns of Sacred Geometry?

Rowena: Let’s begin with the point. The point in Sacred Geometry is the location of the center — it is the point of the compass. This is the place of connection to the Prime Source, the Divine One, the Unity of All Things. And this central point is inherent in all of the patterns of Sacred Geometry. There is nothing without the point.

The point represents, in a way, focus and Divine origin. The Hindus have the Bindu, which is basically the same. The center of every flower or of every planet or every sun is this point. The focal point is inherent in all things.

Scientists don’t think this way. They observe the sun and the planet from the outside, and say, “It will burn out,” or “Life will disappear within a certain time.” They say this because there is only so much energy. They are measuring everything with the idea of only so much energy. Scientists believe in entropy — the running down of the universe.

The possibility that such diverse form as exists in our Universe could have been created by chance simply does not exist. This is an aside from Sacred Geometry that it nevertheless touches upon.

If one considers that there is a Divine Source in this point, in the center of every sun, planet, star, plant, or person, then we may realize that each from has its own eternal regenerator within it.

If one is always connected to Divine Source, then one doesn’t need to run down at all.

Order — the opposite of entropy — comes from within, from this life-giving point. That point represents the “central” part of everything.

There is a great deal that all of us could do if we only put our consciousness into this point. This knowledge and understanding is part of the value of Sacred Geometry.

Think what you could do with simple meditation by merely focusing on the symbol of the point. This is a real way, a practical way, to actually regenerate by tuning into Source. Focusing on our central point, we are linked with the Eternal, the Transcendent, the Divine, the Absolute. That is the point of all origin.

Julia: Could you explain codes and archetypes, and how they are involved in the way you work with Sacred Geometry?

Rowena: Patterns, or symbols and codes, are delineated tools for understanding that are given to use from Prime Source. When we understand how to unravel the code or pattern, we receive a gift or an understanding.

To understand Prime Source, then, we have to decode the symbols.

There is a genetic code, and a language code. We have to rise in consciousness to understand these codes, and then we become closer to the Prime Source.

Archetypal patterns deal with many worlds. There are the spiritual world, the cultural world, the natural world, and so on, with archetypical patterns for each of these. Also, at any given point in time, there are older and newer archetypes.

We can use archetypal patterns as an intermediary to help us move or transform energy.

For example, intensity is an old quality that could be negative or positive. Intensity came from duality, and it was a focus that helped us move through things.

Now, however, we are becoming “whole-hearted,” which is a different type of focus that involves all of us, our hearts, without the duality. This is part of the move into the fifth dimension — living through our hearts and staying centered, instead of focusing through the will.

We are learning to see the interconnectedness of all things, rather than looking at things from the standpoint of gratification.

Julia: You mentioned twelve major energy patterns. What are they and what do they mean?

Rowena: The astrological signs are a division of the 360-degree circle into twelve energies or patterns. Also within the circle are four triplicities of the division of energies: fire, earth, air, and water.

So the twelve basic symbols or patterns can be correlated with the zodiacal signs. I’m listing them in this order.

Pattern #1: Aries (Fire)  Aries is the step. It is the way in which one preserves, through a step-by step process. Certain people from cultures like Mexico and the Middle America created a stepped pyramid form.

Pattern #2: Taurus (Earth)  The step moves us into Taurus, which represents the maintaining of substance. Substance is a dense, preserving type of approach.

Pattern #3: Gemini (Air)  Gemini relates to the branch. It has to do with choice points. And making a choice relates to duality, the binary code of “on” or “off” represented by the Twins. It also is about distribution of information or energy. We can see this in the body through the branching systems of the lungs and blood, or in the branches of trees. The beauty of trees is that in them, what normally falls — sap, blood, water, fluid — rises, and what normall rises — light — descends from the leaves. So the distribution or the branching represents alchemical change.

Pattern #4: Cancer (Water)  The spiral or vortex correlates with Cancer. The vortex creates energy flow. It is a generator, and it could be symbolized as a spiral galaxy, generating everything — stars, planets, everything living. There are two types of vortexes: open and closed. A closed vortex has two points at each end and a circle in the center. An open vortex has the point in the center, with open circles at each end. The movement of the generating spiral in any vortex is connected with the Golden Mean spiral. The Golden Mean acts as a kind of arc between Prime Source and living beings. All spirals generate and create energy in a similar way.

Pattern #5: Leo (Fire)  Leo is the radial, and its function is broadcasting. It is for maintaining codes. In the phenomenal world, it is just a star distinguished by its radiance. Flowers mirror Leo: They are little suns on Earth, and many of them have the radial form. They may be in diverse color, but there is meaning in the color.

Pattern #6: Virgo (Earth)  Virgo is the loop, the tube torus or doughnut shape. It is turning inside out. It could be a knot, like the Celtic designs, or a link, folding in on itself. The tube torus is like that, it is turning inside out or around, looping inside out, and it has to do with the transformation of substance, or cycles, like the turning of day into night, or the turning of the seasons. The knot is the cycle. Also, the aspect of transformation of substance relates to the food chain and digestion — how all of the animals and plants interact. There is a hierarchy, here — for example, there are billions of grains and comparably a few lions. There is a pyramid. We will evolve to the point where we do not eat animals, and eventually eat very little at all. The more lightly we eat, the higher our consciousness, and this is definitely the direction to go in. Also, what nourishment we do take in should be very useful. So Virgo has to do with the purification of substance into body or consciousness.

Pattern #7: Libra (Air) : Libra relates to the column, the straight vertical line. It has to do with balance and strength. One must be centered to hold whatever is being created. The spine or the trunk of a tree are symbols of the balance and strength that holds creation. The column can actually be visualized for aligning or creating a connection between Heaven and Earth, between Light and Dark. It creates connection between things.

Pattern #8: Scorpio (Water)  Scorpio is my favorite. It represents the wave, that which creates the energy flow. It is a matrix that distributes or transmits the flow of energy. It penetrates deep. Waves are the means by which Nature transmits the codes. Scorpio is symbolized by the Dragon, as well as waves of all kinds.

Pattern #9: Sagittarius (Fire)  Sagittarius represents nesting: one form within another. In fractals, it is the principle of recursiveness. I like to think of Sagittarius as a diamond. In a way, it is the most allied with transforming codes. The transformation actually takes the energy to another level. It is the return of wisdom and life to the source, but it also is a “stepping up” of the energy. All of the forms have to do with changing energy, but this is a taking or restoring of the energy to a higher level.

Pattern #10: Capricorn (Earth)  Capricorn is the circle or the sphere. Yet it is an Earth element. It is the circle that encases things, like a skull or the skin. It is protective, making a barrier that holds shapes and Creation. It holds the life force in the physical matrix.

Pattern #11: Aquarius (Air)  Aquarius is the grid, any type of grid. It can be triangular, square, cubic, or hexagonal. It is the shape or grid-work or focus to which things attach. It is the interconnecting force that gives us our commonality. For instance, most of us have five fingers, not six. This “five” is a function of nature. It is found throughout space and within all phenomena. All things are created through the grid. All planets, auric fields, and Universes are created and permeated by the grid. There are also consciousness grids.

Pattern #12: Pisces (Water)  Pisces is transformation. There is real chaos in this form. It is unpredictable. It is an ending energy form symbolized by death, diffusion, and decay. Darkness, confusion, and destructiveness are synonymous with this form. You could think of terrorists, their unpredictability, how they can’t really be stopped, bringing confusion and chaos. Pisces brings an end to order when things become too controlled, too fixed.

Julia: How would you use the geometric forms for healing or meditation?

Rowena: It makes sense to think about the triplicities. For instance, for an inflamed condition, you would probably want to use water or air, earth, and then water again. You wouldn’t treat an inflamation with a fire symbol.

For a particular consciousness or situation that you wanted to change, you might use water to transform, maintain, or create a new situation. You could dissolve an unwanted condition by focusing on the Pisces symbol, because it diffuses or transforms old situations by breaking them down.

A patient or person could visualize or draw the symbols. They could put the image on a particular point of the body for healing. Drawing these patterns, or any of the Sacred Geometries, activates the brain, heart, and lungs into a healing space. This practice actually brings life into the body.

Creating designs and patterns is very exciting. The indigenous people wore beautiful garments with incredible color and design. They understood that color and shape could bring about healing, balance, and peace. The shaman wore robes with particular energies brought into being by the ornaments and designs.

Symbols or shapes, like the branch, can be used to bring in energies in your home. For example, if you hvae a garden and you live in a dry environment, you would use the curvilinear wave. This would bring in the water energy to balance the dryness and heat. But if you lived in a swamp, you might want one of the fire signs, such as the star, to balance the dampness.

Julia: I know that you are interested in the education of children. What do you think needs to happen in the teaching of our children?

Rowena: Our children are a new race. So we are essentially the bricklayers of knowledge for a new race.

They cannot learn in the way that children have in the past. They won’t memorize facts without meaning. They need to be introduced to Universal Law so that everything has a meaning, a center, and interconnectedness.

Everything has a resonance or a harmonic system. So I consider harmonics as a parallel to Sacred Geometry. The different tones and colors are ratios. It is all a Universal language. This is the language that the new race of children needs. We can assist by being the anchor points, with a promise of creating a new culture.

Julia: How would this look in practical terms?

Rowena: I envision a series of rooms in which children could learn music, Sacred Geometry, math, and art. I see a computer room where they may watch DVDs. The teachers would not be so much instructors, or givers of information, as they would be people who could help the children move more deeply into whatever interested them.

All consciousness goes through the process of motion from simple to multifaceted, then back to simple again. Consciousness at some point must always become simple, for it has to move both ways. I don’t mean “simple simple.” I mean “complex simple.” A place where complexity becomes integrated.

Everything is coded, nested. We need to teach the children about the nested patterns, like the code of the chromosome, the code of the Universe. When we teach them about the interrelatedness of life, they will not lose their connection with Divine Source. They will stay connected with Cosmic Law.

Julia: What would you like to add in closing?

Rowena: Sacred Geometry is about our connection to Divine Source. If we learn to work with Universal Law and Divine Source, then all of life is filled with abundance. When we live in this way, we are introduced to a multiplicity of worlds and choices.

The old way was about connection to cause-and-effect. You worked at a job because of the effect of earning money, then you retired. But there was nothing to retire to, because you had lost your connection to Divine Source.

We need to leave behind us this addiction to cause-and-effect that narrows both the result and possible incomes.
Security is not the answer. Fitting in is not the point. These addictions lead to seeking pleasure, not joy.

Pleasure is eating chocolates on the sofa because nothing is left in life. It is the hedonistic search for more pleasure, a cycle of pleasure and pain. Joy is linking to the Source. True joy is moving through the pain and linking back to Source to receive true happiness.

Faith is not faith as we have known it. Faith is the decision of staying with the Divine Source for the answer.

Inspiration is the appropriate answer from the Divine Source. We can live our lives in a completely different way, linking to the Divine Source, receiving an abundance that which was not possible before.

I know that this works, because I have lived it.


Rowena Patee Kryder, MFA, PhDRowena Pattee Kryder, MFA, PhD, is the author of the Co-Creation Code Deck, Vibrational Healing Cards and Sophia’s Body. She is dedicated to assisting people through these transitional times to a New Earth, and she creates tools for individuals to use for greater self-awareness.

An artist all her life, Rowena is the author of twelve books and five films.



Sacred Geometry, Archangels, and Pyramids



How are archangels, sacred geometry, and pyramids related? Each relates to the journey of the soul. Today’s speakers ( are Maureen St. Germain and Normandi Ellis.


Maureen St. Germain Photo 2015

Maureen will speak about the hidden teachings regarding the archangels. She will explain their rays, which includes colors, emanations of energy, and qualities associated with them–and exactly how to call on the archangels when you need help in changing the course of life. Additionally, she teaches about the interrelationship between the archangels and sacred geometry. For those who are familiar with sacred teachings, you can immediately apply her insights. If you are a beginner, you’ll discover resources for coloring and deepening your journey.

Normandi Ellis photo  2015

Normandi Ellis is a brilliant scholar, and she shares her insights about the Egyptian book of the Dead. You’ll learn how Egyptian symbols pertain to our current journey of the soul. Normandi offers profound information about the application of ancient knowledge in the modern world. You’ll also learn why the Egyptians emphasized the importance of a spiritual journal–and how to create one for yourself.


Julia Griffin, Intuitive Coach and HealerJulia Griffin, intuitive healer and owner of One True Self, began her work fifteen years ago under the tutelage of real wolves. Following their direction, Julia sees and reads energy, including animals, plants and people. She works with people in session to find their resonance with the soul, clearing patterns and alignment with their inner path.